Feb
03
A common issue faced when drawing from life is the frustration cause by a lack of a mark making vocabulary.
Drawing is the language of describing the 3 diminutional world on a flat sheet of paper, and doing it without the use of letters or words. Drawing uses marks, scribbles, dashes, smears… hundreds of variations. If you approach a drawing with only the mark making language used in hand writing, your drawing will reflect that lack of knowledge. It’s like reading Moby Dick at only a Dick and Jane reading level.
So, tonight’s Drawing Fundamentals class focused on building a vocabulary. We started by copying a few Chinese landscape drawings, which are loaded with mark making variations. In the drawing above, you can see that Clayton is exploring how to reproduce those marks.
We then moved on to drawing from a still life. Clayton is now using his pencil to a much fuller extent. Creating marks that describe light, texture, weight, and volume. These variations are the nouns, verbs, and adjectives that create visual poetry.
Next week we will be exploring the Darker Side Of Mass.
Jan
26
When drawing from life, it’s just as important to see what is NOT there as it is to see what is there. So, in tonight’s drawing class we focused on Negative Space. Those spaces between the things we normally think of as the objects that fill our world.
We all know what a chair looks like. You can probably picture one clearly in our minds eye. But, unless you develop the ability to see the negative spaces between the legs and runners, you will always struggle with drawing from life, because you are only looking at half the story.
In Kevin’s drawing above, you can see how his focus on the spaces between the chair legs transforms the drawing, turning the chair into an empty void.
This seeing technique flattens the world into 2 dimension, which makes it easier to capture the relationships of ALL the elements in front of you. These relationships; positive and negative, are the building blocks for the construction a solid pictorial composition.
Next week, we explore making marks.
Jan
20
In each of the Drawing Fundamentals classes I focus on one element of drawing. In this second class, it’s Contour Line drawing. This, the most common type of drawing, focuses on the outline of an object. So when drawing an apple, you end up with basically a wobbly circle. When drawing a lemon, you end up with basically a wobbly circle. When drawing a pear, you end up with basically a lopsided wobbly circle.
This generalization of course fits right into the brain’s massive backlog of symbols, which in turn means that instead of really looking at THE apple, your brain simply projects the symbol of an apple, basically a wobbly circle.
Think about an apple, one with a bite taken out of it…
Does it look juicy and delicious, or more like the logo of the computer you might be reading this blog on? Which one is clearer to see in your minds eye? For this class we are derailing those backlogged symbols by taking the ant’s eye view of the world.
Exercise #1- Blind Contour- Place your paper so you cannot see it while you are drawing. Look at your left hand (your right if you are left handed). Now imagine you are watching an ant crawling slowly along the contours, cracks and creases of your hand. Your pencil is the mechanical recorder of that ant’s travels. When the ant goes up, your pencil draws a line upward. When that ant traverse your life line, your pencil continues to record that trail. Do not cheat by looking at your drawing!
Ants are very slow, the recorded path pictured above took 30 minutes. Try it out. Repeat twice. How did that make you feel? Did you sense a shift in your perception? Was it hard to draw so slow? Did you look at your drawing before the time was up?
Other drawing adventures followed, filling our night with undulating, descriptive lines. Next week we’ll be looking at the spaces that are not there. Negative Space.
Jan
15
Very excited to find myself teaching Drawing Fundamentals at the CAC. Due to a dramatic prequel, I only had a single day to prepare for the class, so I grabbed my dusty copy of Drawing On The Right Side of The Brain AKA Learn to live like a Dyslexic, and pieced together a rough curriculum. (I’ll be fleshing it out this week)
For this first class, I leaned hard on the Left – Right brain theory, believing that the most common problems in learning how to draw is turning off that hyper critical left side so the creative right side can take some risks and start to really see the world around us.
So, a few exercises to derail the left side and feed the right, such as the drawing above. It’s a copy of a drawing by Degas. And yes, it is upside down because it was drawn upside down. Doing this allows you to more easily see the lines and shapes as simply lines and shapes, and not as a head, right hand, left hand, buttons, a pocket… all of which the left side already knows what those things look like, so it’s going to draw what it knows and not what you are really looking at.
Next week, we’ll be looking at blind contour drawing…
PS- And a big Thanks to the CAC for thinking of me when they needed help.
Dec
13
This was my second time to apply for an Idea Fund grant. The first was in 2009, as a joint effort with Beam, Plank and Flitch to construct 6 public wood benches made from urban harvested trees. That one missed because I think the judges thought it to pedestrian and not art centric enough.
In 2011, I applied with the Automated Cordycep Project:
The Automated Cordycep Project is about playing with a narrative; it’s about combining sculpture, nature, and science, with a gorilla approach to exposing the public to a sci-fi narrative of near future disaster…
And the prize… went to somebody else. Actually 10 somebody elses. I looked over the list, and can say that on first glance, they all look like solid proposals. Each having a large friendly public component, which I think is where my project might have been lacking. There was public interaction, but more on the level of terrorizing large crowds with remote controlled cars infected with a parasitic fungus.
So. I’ll add this to the list of impressive art organizations that I have applied to but not been accepted by. It is said that if you don’t get rejection notices, you’re not trying hard enough, which I do think is true, although I really prefer the non-rejection notices.
As for the Automated Cordcep Project, I do think it is worth while project, and I still plan on dedicating a page on this website to the project, just as soon as I get this Damn WordPress templet to function properly!!! Wait a minute, were the hell did all my old photos go?!!! jfvsfjblerskbersjkvber
Nov
29
It was becoming more and more obvious that my old Godaddy website and Blogger Blog were reaching a critical disjointed mass. So I switched over to a WordPress format. This has become a multi month learning curve and a pain in the A**. But now I am in for a pound so it’s full speed a head. Please excuse the present mess. it will get better.
You can still visit my old blog and Flickr site to see rants and artwork.
Nov
10
Dallas Aurora Caught on Video
Art and Seek / ART BLOG / Art Exhibitions / Art Reviews / Art Work / Dallas Aurora / Videos / Wall installation Posted by Brad Ford Smith
It’s been a few weeks sense the Dallas Aurora event which has given people time to post images or videos they made of the event. One of my good friends and great local film makers Mark Birnbaum made this short video which focuses on my installation. It’s also posted on Art and Seek. Stephen Becker at A&S posted this interview with founding organizers Joshua King and Shane Pennington. The new local online culture site You+Dallas did this nice montage.
Nov
09
When I went downtown for the Dallas Aurora artist meeting a 10:30 AM, I thought I was going to sign some paperwork, run a power check and then head out for an early Tex-Mex lunch at the historic down town El Fenix. Well, as you can see from this mid day installation photo there was a few wrinkles to iron out. Good thing I packed an iron. Side note- Non wool felt will melt if the iron is to hot.
By the time we did the 5:30 power check I had my installation up and running. My best friend in the world dropped by with a totally tasty sandwich and ice tea which I needed badly.
Around 6:30 I took a quick walk around to see some of the other art installations. I came back very impressed. Seeing that the majority of video installations involved computer generated or manipulated images I decided to focus my installation on a montage of raw video footage of water.
As the night sky darkened all the videos became more color intense and the crowds filled the streets. I was surprised to see so many people dance in front of my video, use it as a colorful back drop and even videotape my video.
A few notes for next year’s Aurora: *A dark corner will work better than being in the main drag due to all the ambient light. *Keep your projection size within the limits of the projector’s lumen power. Over extending = washed out color.*Forget about your soundtrack, in this event, your soundtrack is the ambient collective. *No matter how fascinating your video is, people will only stand still for perhaps 10 seconds at the longest. *A collection of short clips is more engaging than one long film. *And lastly, promotion, Even though over a thousand people saw my installation, 90% of them will never connect it back to me.
To some it up, Dallas Aurora changed the Dallas Arts District into what I think it should be, a neighborhood of cultural centers that generate a sense of wonder and community. I had a great time being part of Dallas Aurora, and look foreword to doing it again next year.
Oct
27
Aurora 2011: A Thing To See And Do
ART BLOG / Art Work / Dallas Aurora / Public Sculptures / Wall installation Posted by Brad Ford Smith
Water Walls Dallas Arboretum
I have felt for a while now that I should be spending less time at the computer. All those hours logged on has left me feeling a bit like a big wooden log. So, it’s up early, a balanced breakfast, walkies, perhaps a bit of yard work, and get involved with a few art events to get me out of this damn house!!!
Aurora 2011 is one such event. This year it’s being held in the Dallas Arts District. 97 light and sound installations will turn the 19 block area into a night of color. The big power switch will be flipped on this Friday, October 28th at 7:30pm-12:00 midnight. Here’s the Art and Seek post.
Fountain Place Park Dallas TX
I missed being part of the Aurora 2010 because I was in Italy, which I enjoyed completely and blogged about maybe a bit to much. That said, I have been waiting all year for the next Aurora event. This time I am in town, busy at my computer spicing together bits of video… So much for getting out of the house, or the walkies, or the balanced breakfast.
White Rock Lake 2 AM
I am producing 2 videos that will be projected onto the west garden wall of the Meyerson Symphony Center. Both videos are about water. One is natural footage of ponds, streams and puddles as seen in the top 2 photos above. The other video uses the same footage and manipulates it by re-filming the clips multiple times to produce color separations and distortions, as seen in these bottom 2 photos.
Modern Art Museum of Fort Worth
This will be my first time to show any of these videos publicly. Very excited about it, and about seeing all the other installations, too!
